Exposed: Environmental Politics and Pleasures in Posthuman Times (Minnesota 2016) contends that the anthropocene is no time to set things straight. The book resists the temptation to engage in any sort of grand mapping that would be inimical to the embedded modes of epistemological, ethical, and political engagement that it traces, working instead through a surprising mix of theory, science, art, and activism. It begins by considering the pleasures of inhabiting places where the domestic refuses to domesticate and the walls decline to divide. It ends with an imaginary inhabitation of the dissolving shells of sea creatures who epitomize extinction in anthropocene seas. Along the way it considers queer animals, naked protests, the strange agencies of plastic pollution, and the gendered politics of climate change. Dwelling in the dissolve, where fundamental boundaries have begun to come undone, unraveled by unknown futures, can be a mode of ethical engagement and political inhabitation, which emanates from both feminist and environmentalist practices. Exposed locates new materialisms and material feminisms in fleeting ethical moments and compromised political sites that make up the massive temporal and geographical expanse of the anthropocene.[Cover art: Marina Zurkow, video still from "Slurb."]